I discovered
Harlan Ellison in the spring of 1975, I think, after the publication of his
coldest, harshest collection before or since, Deathbird Stories. The tales were startling, vivid, often violent
and profane. The writer clearly did not want you to look up from one of his
tales and say, “that was a nice story”; he hoped to make you fearful, enraged, or
energized to get up and do something!
Ellison’s
writing was a sharp rap upside the head. Since that first volume, I’ve read
just about everything he’s put between the covers of a book -- paper or cloth --
and collected copies of nearly all of them as well.
Now Jason Davis is
proposing a mammoth effort to preserve all of Ellison’s unpublished and
uncollected work. Davis is a comparatively young fan who became an editor and
publisher and has overseen the release of new anthologies as well as lesser-known
Ellison works over the past five years (including unshot screenplays and
television episodes, and early pulp fiction from magazines such as Trapped, Tightrope!, Guilty Detective
Story Magazine, Famous Western
magazine, and True Men Stories).